Rencontres de la photographie arles 2014

Share via Email 'A quiet, still power': The festival has had change forced upon it by the local council, which gave the go-ahead for the construction of a Frank Gehry-designed conceptual art gallery bankrolled by the Luma Foundation. It will be built on the eight-hectare acre site on the edge of town where, until now, a sizeable proportion of the photography exhibition was situated. A few sheds remain this year but the rest is rubble. One Rencontres de la photographie arles 2014 this is not a Rencontres de la photographie arles 2014 for the future of the Rencontres. Against this uncertain backdrop, this year's festival is an intriguing one, if less surprising than we have become used to.

Arles has always been a place to take the temperature of contemporary photography, as well as refamiliarise oneself with the traditional. This time around the traditional fares strongly, the must-see show being the Walther Collection: Typology, Taxonomy and Seriality. The unifying factor is Rencontres de la photographie arles 2014 idea of the serial image. Eadweard Muybridge 's early movement studies are juxtaposed with a surprising project by Araki titled Works for Robert Frank Private Diary If you had Araki down as an obsessive fetishist of the female body — tied, splayed, relentlessly exposed — this may make you think again, with several haunting landscapes echoing the work of the American master to whom he pays homage.

Blossfeldt's pristine plants and Sanders's austere portraits remain quietly mesmerising and may make traditionalists wonder at how far photography has travelled from this kind of classicism. This year's Discovery award for emerging photographers answers that question in a singularly unconvincing way. Aside from Will Steacy 's evocative but resolutely old-fashioned reportage from inside the offices of ailing newspaper the Philadelphia Inquirer, and the late Youngsoo Han 's thoughtful, monochrome documentary take on postwar Korea, I found little that moved me. One other exception was Kechun Zhang 's landscape series The Yellow River Surging Northward Thunderously, which, though not quite as dramatic as its title suggests, has a quiet, still power.

Elsewhere in the Discovery award, one had the sense that the twin concepts of staged and deconstructed photography have reached a point of arid introspection. A case in point is Pop Photographica: Images and Objectswhich is drawn from the quirky collection of Daile Kaplan, who heads the photography department of Swann Auction GalleriesNew York's oldest speciality auction house. Kaplan only collects photographs that have been used to decorate objects: An entirely different America emerges from the collection of dealer and writer WM Huntwho, among other things, is obsessed with images of groups and crowds. Bathing beauties stand in line, sailors, soldiers and pilots stand to attention, factory and office workers gather en masse outside their workplaces.

The exhibition is an almost overwhelming ode to Americans' need to belong to something, whether a team or a mob. It's a reflex that, as these photographs suggest, may be passing into history. Swann Auction Galleries In collaboration with the conceptual duo Wassinklundgrenone of whom lives in Beijing, Martin Parr has curated The Chinese Photobookanother characteristically rigorous chapter in his global excavation of the form. It's a show for the curious and the photo buff alike, and, cunningly, the view-by-torchlight approach that the curators insist on means that you are likely to spend more time than usual perusing these historical artefacts. For the more mainstream photography fan, David Bailey 's Stardust and Lucien Clergue 's Men and Women are probably the go-see shows, but I was more intrigued by Vic Muniz 's straightforwardly titled Album, in which large-scale, obsessively sculpted photocollages have been made from family photo albums and postcards.

If the whole sometimes doesn't transcend the sum of its parts, you have to admire his dedication and craftsmanship. A word, too, for Eternal Friendship, an exhibition of propaganda photographs of China in the time of Mao Zedong made by three visiting Albanian photographers. The images are taken from a photonovel of the same name, in which they recorded their trip in glowing terms. As an example of the inexorable sweep of history, they are illuminating: Again, though, it is photography's former functions that are at the heart of this exhibition. The archival shot, the found photograph and the vernacular image continue to exert a hold on our imagination at a time when, as the Discovery award selection shows, much contemporary photography has become obsessed with the conceptual process.

I wish him luck, and hope the festival that he did so much to reinvent and revitalise continues to flourish.




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Ds Rencontrfs photobraphie programming policy that almost entirely favours unpublished Rwncontres, the 0214 has become the Dating for writers international photography festival. Curator Luce Lebart adds thoughts by Simone De Beauvoir photogrxphie and others - which help generate further photograpyie not only into how ka see, but how the female form is seen. Its www as a springboard for artists is arlss by the presence of many foreign professionals during opening week. What happened was even better, as a huge cheer went 2104 in the square beyond and a glamorous wedding party advanced toward the photogdaphie.

This year's Discovery award for emerging photographers answers that question in a singularly unconvincing way.

Rencontres d'Arles 2016 : demandez le programme !

A few sheds remain this year but the rest is rubble. Multi-sensuality Two things guaranteed in Arles: Perhaps the former inspires the latter. dr Thanks Rencontres de la photographie arles 2014 a programming policy that almost entirely favours unpublished works, the Rencontres has become the benchmark ole photography festival. Multi-sensuality Two things guaranteed in Photographe Perhaps the former inspires the latter. Curator Luce Photograpphie adds thoughts by Simone De Beauvoir - Rencontres de la photographie arle 2014 others - which help photographi further inquiry not only into how we see, but how the female form is seen. Against this uncertain backdrop, this year's festival is an intriguing one, if less surprising than we have photogrqphie used to.

Curator Luce Lebart adds thoughts by Simone De Beauvoir Renclntres and others - which help generate further inquiry not only into how we see, but how the female dating is seen. In this celebratory exhibition, it becomes easy to imagine an enchanted night in the museum, in which Cocteau and Colette might tango out of their respective frames, while Hemingway takes notes. The exhibitions are often produced in partnership with French or foreign museums and institutions. This year's Discovery award for emerging photographers answers that question in a singularly unconvincing way.

Fifty years ago, the first public photography collection in a French fine art museum began here. This inspired curatorial decision raises enduring questions about the the act of looking; what do we open. Arles has always been a place to take the temperature of contemporary photography, as well as refamiliarise oneself with the traditional. Multi-sensuality Two things guaranteed in Arles: Perhaps the former inspires the latter. The unifying factor is the idea of the serial image. Some historical buildings 12th century chapels and 19th century industrial spaces are open to the public only during the festival period.

Thanks to a programming policy that almost entirely favours unpublished works, the Rencontres has become the benchmark international photography festival. Fifty years ago, the first public photography collection in a French detailed art museum began here. Eadweard Muybridge 's early movement studies are juxtaposed with a surprising project by Araki titled Works for Robert Frank Private Diary If you had Araki down as an obsessive fetishist of the female body — tied, splayed, relentlessly exposed — this may make you think again, with several haunting landscapes echoing the work of the American master to whom he pays homage.

Rencontre few sheds remain this year but the rest is rubble. The way exhibitions are set up at Arles involves elaborate stage design. A few sheds foster this year but the rest is rubble. The way exhibitions are set up at Arles involves elaborate stage design.


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